T19n0959_頂輪王大曼荼羅灌頂儀軌

大正藏第 19 冊 No. 0959 頂輪王大曼荼羅灌頂儀軌

No. 959

頂輪王大曼荼羅灌頂儀軌

舊名　阿迦　[(薩-文+(立-一))/木]㗚婆　辯弘新名　薩縛　娑　底迦　吉祥

頂輪王大曼荼羅灌頂儀(並金剛界眾形色東都聖善寺沙門bu ṇi ka 吉祥集)

內院三昧耶界道中臺院中。畫佛世尊坐師子座。其座種種寶莊嚴。聖者身坐白蓮華。身白金色。入最勝三摩地王相。結跏趺坐。作說法相。從一切身普遍出十二幅金輪熾盛光明。如輪圍繞。從頂流出種種光明。青黃赤白。具大仗夫相。倚菩提樹。其樹有種種葉。如真多摩尼。樹形於上系種種繒彩。或系吠琉璃寶天果妙衣。或垂云降雨。有種種芽。吉祥眾鳥並坐其上。或於枝間種種寶葉已成劫樹。世尊兩肩后倚著其樹。佛右邊座下畫轉輪王形。坐白蓮華。作觀佛勢。其身金色。周遍光明。七寶成就。惟輪寶以光圍繞。在蓮華上。餘六寶如次安之。

東南角摧碎佛頂　南勝佛頂　西南角無邊聲佛頂　西白傘蓋佛頂　西北角高廣佛頂　北光聚佛頂(坐白蓮花上。種種光圍繞。在熾光明中坐。身金色。手持真多摩尼寶)　東北角最勝佛頂　正東高佛頂(如大王形。坐白蓮花上。手持俱緣果□睹

【現代漢語翻譯】現代漢語譯本 No. 959 頂輪王大曼荼羅灌頂儀軌舊名阿迦 [(薩-文+(立-一))/木]㗚婆辯弘新名薩縛娑底迦吉祥頂輪王大曼荼羅灌頂儀(並金剛界眾形色東都聖善寺沙門bu ṇi ka 吉祥集) 內院三昧耶界道中臺院中。畫佛世尊坐師子座。其座種種寶莊嚴。聖者身坐白蓮華。身白金色。入最勝三摩地王相。結跏趺坐。作說法相。從一切身普遍出十二幅金輪熾盛光明。如輪圍繞。從頂流出種種光明。青黃赤白。具大仗夫相。倚菩提樹。其樹有種種葉。如真多摩尼。樹形於上系種種繒彩。或系吠琉璃寶天果妙衣。或垂云降雨。有種種芽。吉祥眾鳥並坐其上。或於枝間種種寶葉已成劫樹。世尊兩肩后倚著其樹。佛右邊座下畫轉輪王形。坐白蓮華。作觀佛勢。其身金色。周遍光明。七寶成就。惟輪寶以光圍繞。在蓮華上。餘六寶如次安之。東南角摧碎佛頂（Cuisui Fotoding）南勝佛頂（Nansheng Fotoding）西南角無邊聲佛頂（Wubiansheng Fotoding）西白傘蓋佛頂（Baigaisan Fotoding）西北角高廣佛頂（Gaoguang Fotoding）北光聚佛頂（Guangju Fotoding）(坐白蓮花上。種種光圍繞。在熾光明中坐。身金色。手持真多摩尼寶) 東北角最勝佛頂（Zuisheng Fotoding）正東高佛頂（Gao Fotoding）(如大王形。坐白蓮花上。手持俱緣果□睹)

【English Translation】 English version No. 959 'The Initiation Ritual of the Great Mandala of the Crown Wheel King' Old Name: Akha [(薩-文+(立-一))/木]rtva. New Name by Bianhong: Sarva Satika Auspicious. 'The Initiation Ritual of the Great Mandala of the Crown Wheel King' (Collected by the Shramana bu ṇi ka Auspicious of Shengshan Temple in Dongdu, with depictions of the Vajradhatu Mandala) In the inner courtyard, within the Samaya boundary of the central platform courtyard, a painting depicts the World Honored One Buddha seated on a lion throne. The throne is adorned with various treasures. The Holy One sits upon a white lotus flower, with a body of white-gold color, entering the supreme Samadhi King aspect. He sits in the lotus position, making the gesture of teaching the Dharma. From his entire body emanate twelve golden wheels of blazing light, surrounding him like wheels. From his crown flows various lights of blue, yellow, red, and white. He possesses the great marks of a man, leaning against the Bodhi tree. The tree has various leaves, like Cintamani jewels. Various banners and streamers are tied to the tree, or adorned with lapis lazuli treasures, heavenly fruits, and wondrous garments. Clouds descend and rain falls. There are various sprouts, and auspicious birds sit upon them. Or, among the branches, various precious leaves have formed a kalpa tree. The World Honored One leans against the tree with his shoulders. To the right of the Buddha, below the seat, is a depiction of a Chakravartin King, seated on a white lotus flower, gazing at the Buddha. His body is golden, radiating light all around. He is adorned with the seven treasures, with only the wheel treasure surrounded by light, placed on the lotus flower. The remaining six treasures are arranged in order. Southeast corner: 'Crushing Buddha Crown' (Cuisui Fotoding). South: 'Victorious Buddha Crown' (Nansheng Fotoding). Southwest corner: 'Boundless Sound Buddha Crown' (Wubiansheng Fotoding). West: 'White Umbrella Buddha Crown' (Baigaisan Fotoding). Northwest corner: 'High and Broad Buddha Crown' (Gaoguang Fotoding). North: 'Light Cluster Buddha Crown' (Guangju Fotoding) (Seated on a white lotus flower, surrounded by various lights, sitting in blazing light, with a golden body, holding a Cintamani jewel in hand). Northeast corner: 'Most Victorious Buddha Crown' (Zuisheng Fotoding). Due East: 'High Buddha Crown' (Gao Fotoding) (Appearing as a great king, seated on a white lotus flower, holding a Kuranda fruit □ du).

輪王勢)

已上中院(十佛頂名號)。

次第二院獨古杵界道(從東北角起首畫向南也)。

東南角法波羅蜜菩薩　次大勢至觀音菩薩　葉衣觀音菩薩　多羅觀音菩薩(種種嚴具莊著輕□衣。其身形不粗不細中庸形。右手持青蓮花。左手施愿。坐花臺上。作淺綠色也)　觀世音菩薩　毗俱胝觀音菩薩(身白色。三目四臂。右上手持仗。左上手持瓶。右下手持念珠。左下手持蓮花。身儀寂靜)　白衣觀音菩薩(以蓮花鬘莊嚴身。用寶繒角絡被。右手持真多摩尼寶。左手施愿。坐蓮花上。此是一切蓮花族母)　觀自在王菩薩(坐寶蓮花上。合掌作禮勢)　西南角羯磨波羅蜜菩薩　次禪波羅蜜菩薩(結定即身□如金)　忍波羅蜜菩薩　施波羅蜜菩薩　虛空明妃(如天形。坐蓮花上。合掌作禮勢)　戒波羅蜜菩薩　精進波羅蜜菩薩　惠波羅蜜菩薩　西北角金剛波羅蜜菩薩　次降三世金剛菩薩(身相如瑜伽)　金剛將明妃　金剛將童子(如名別無相)　金剛手菩薩(右手持白拂。左手持金剛杵。坐蓮花上)　金剛母菩薩(名摩莫枳。身相如童女。淡紫青色。種種瓔珞莊嚴。坐蓮花上。住般若自性。右手持梵夾。左手持真多摩尼。施愿勢。不得高顏□悅意。是金剛族母)　蘇婆呼童子菩薩(作童子形)　頂行童

【現代漢語翻譯】現代漢語譯本輪王勢

以上是中院（十佛頂名號）。

接下來是第二院獨股杵界道（從東北角開始畫向南）。

東南角：法波羅蜜菩薩（Dharma Paramita Bodhisattva）次：大勢至觀音菩薩（Mahasthamaprapta Avalokitesvara Bodhisattva）葉衣觀音菩薩（Parnashavari Avalokitesvara Bodhisattva）多羅觀音菩薩（Tara Avalokitesvara Bodhisattva）（以各種莊嚴的器具裝飾，穿著輕薄的衣服。身形不粗不細，中等。右手持青蓮花，左手施予願望。坐在蓮花臺上，呈現淺綠色。）觀世音菩薩（Avalokitesvara Bodhisattva）毗俱胝觀音菩薩（Bhrikuti Avalokitesvara Bodhisattva）（身白色，三目四臂。右上首持杖，左上手持瓶，右下手持念珠，左下手持蓮花。身姿寂靜。）白衣觀音菩薩（Pandara Avalokitesvara Bodhisattva）（以蓮花鬘裝飾身體，用寶繒角絡覆蓋。右手持真多摩尼寶，左手施予願望。坐在蓮花上。這是一切蓮花部的母親。）觀自在王菩薩（Lokesvararaja Bodhisattva）（坐在寶蓮花上，合掌作禮。）西南角：羯磨波羅蜜菩薩（Karma Paramita Bodhisattva）次：禪波羅蜜菩薩（Dhyana Paramita Bodhisattva）（結禪定印，身體如同黃金。）忍波羅蜜菩薩（Kshanti Paramita Bodhisattva）施波羅蜜菩薩（Dana Paramita Bodhisattva）虛空明妃（Akasagarbha Vidyarajni）（如天女形象，坐在蓮花上，合掌作禮。）戒波羅蜜菩薩（Shila Paramita Bodhisattva）精進波羅蜜菩薩（Virya Paramita Bodhisattva）惠波羅蜜菩薩（Prajna Paramita Bodhisattva）西北角：金剛波羅蜜菩薩（Vajra Paramita Bodhisattva）次：降三世金剛菩薩（Trailokyavijaya Vajra Bodhisattva）（身相如瑜伽士。）金剛將明妃（Vajraduta Vidyarajni）金剛將童子（Vajraduta Kumara）（如名字一樣，沒有特別的形象。）金剛手菩薩（Vajrapani Bodhisattva）（右手持白拂，左手持金剛杵。坐在蓮花上。）金剛母菩薩（Vajramatri Bodhisattva）（名為摩莫枳（Mamaki），身相如童女，淡紫青色，以各種瓔珞裝飾。坐在蓮花上，安住于般若自性。右手持梵夾，左手持真多摩尼，施予願望。不得高傲，顏色愉悅。是金剛部的母親。）蘇婆呼童子菩薩（Subahu Kumara Bodhisattva）（作童子形象。）頂行童子

【English Translation】 English version Wheel-Turning King Posture

The above is the central court (names of the Ten Buddha Crowns).

Next is the second court, the single vajra pestle boundary path (starting from the northeast corner and drawing southward).

Southeast corner: Dharma Paramita Bodhisattva. Next: Mahasthamaprapta Avalokitesvara Bodhisattva. Parnashavari Avalokitesvara Bodhisattva. Tara Avalokitesvara Bodhisattva (Adorned with various ornaments, wearing light clothing. The figure is neither stout nor slender, of medium build. The right hand holds a blue lotus, the left hand grants wishes. Seated on a lotus platform, appearing light green.) Avalokitesvara Bodhisattva. Bhrikuti Avalokitesvara Bodhisattva (Body white, with three eyes and four arms. The upper right hand holds a staff, the upper left hand holds a vase, the lower right hand holds prayer beads, the lower left hand holds a lotus. The posture is serene.) Pandara Avalokitesvara Bodhisattva (Adorning the body with lotus garlands, covered with jeweled silk corner netting. The right hand holds a Cintamani jewel, the left hand grants wishes. Seated on a lotus. This is the mother of all lotus families.) Lokesvararaja Bodhisattva (Seated on a jeweled lotus, with palms together in a gesture of reverence.) Southwest corner: Karma Paramita Bodhisattva. Next: Dhyana Paramita Bodhisattva (Forming the meditation mudra, the body is like gold.) Kshanti Paramita Bodhisattva. Dana Paramita Bodhisattva. Akasagarbha Vidyarajni (Appearing as a celestial maiden, seated on a lotus, with palms together in a gesture of reverence.) Shila Paramita Bodhisattva. Virya Paramita Bodhisattva. Prajna Paramita Bodhisattva. Northwest corner: Vajra Paramita Bodhisattva. Next: Trailokyavijaya Vajra Bodhisattva (The appearance is like a yogi.) Vajraduta Vidyarajni. Vajraduta Kumara (As the name suggests, without a distinct form.) Vajrapani Bodhisattva (The right hand holds a white whisk, the left hand holds a vajra. Seated on a lotus.) Vajramatri Bodhisattva (Named Mamaki, the appearance is like a young girl, light purple-blue, adorned with various ornaments. Seated on a lotus, abiding in the self-nature of prajna. The right hand holds a scripture, the left hand holds a Cintamani, granting wishes. Should not be arrogant, the color is pleasing. She is the mother of the vajra family.) Subahu Kumara Bodhisattva (Appearing as a young boy.) Top-Walking Boy

子菩薩　同前(準被發相)　東北角寶波羅蜜菩薩　次般若波羅蜜菩薩　慈氏菩薩(手執白拂)　佛慈菩薩　佛眼菩薩(形如天女。坐寶蓮花。種種莊嚴。身如金色。目觀眾會。著輕谷衣角被。右手持寶。左手施愿。圓光周遍。身相寂)　佛豪相菩薩(形如天母。色相同前。唯右手持蓮花。左手施愿。光明同前無異)　文殊菩薩(身相金色)　如意寶菩薩

已上第二院(三十二聖者名)。

次第三院同第二界道。

東南角歌供養菩薩(形服皆金色)　次如意輪菩薩　才發心轉法輪菩薩　八聖觀音菩薩　蓮華吉祥菩薩　蓮華孫陀利菩薩(四臂。右第一手持罥索。左手持鉞斧。右第二手施愿。左第二手持果。坐于蓮花。光明同前)　青頸觀音菩薩　蓮華髻菩薩　蓮華藥叉菩薩　十一面觀音菩薩　西南角　舞供養菩薩(形服皆金色)　次嚩哩迦龍王　嚩哩迦七頭　阿難陀龍王(此上二龍王。曾見佛有。七頭合掌跪地即上嚩哩迦阿難陀也。唯持花鬘有異也)　無染河天者(即尼蓮河神也。並見佛來。身相如目止鄰龍王更無別狀)　地天供養(身白色。以二手捧寶花籠子。二膝跪地)無能勝姤菩薩　無能勝妃　無熱惱龍王(持蓮花鬘曲躬合掌)　目真鱗龍王(並前二龍王青色黑色。如女形。七頭合掌。作禮勢

【現代漢語翻譯】現代漢語譯本子菩薩：與前面描述的菩薩相似（準被發相）。東北角：寶波羅蜜菩薩（Ratna-paramita Bodhisattva），次為般若波羅蜜菩薩（Prajna-paramita Bodhisattva），慈氏菩薩（Maitreya Bodhisattva，手執白拂），佛慈菩薩（Buddha-maitri Bodhisattva），佛眼菩薩（Buddha-locana Bodhisattva，形如天女，坐于寶蓮花上，種種莊嚴，身如金色，目光注視大眾，身著輕薄的衣角，右手持寶，左手施予願望，圓光周遍，身相寂靜）。佛豪相菩薩（Buddha-laksana Bodhisattva，形如天母，顏色與前相同，唯右手持蓮花，左手施予願望，光明與前相同無異），文殊菩薩（Manjusri Bodhisattva，身相金色），如意寶菩薩（Cintamani Bodhisattva）。

以上為第二院（三十二聖者名）。

其次，第三院與第二院的界道相同。

東南角：歌供養菩薩（Gita-puja Bodhisattva，形貌服飾皆為金色），次為如意輪菩薩（Cintamanicakra Bodhisattva），才發心轉法輪菩薩（Prathamacitta-dharmacakra Bodhisattva），八聖觀音菩薩（Asta-arya-avalokitesvara Bodhisattva），蓮華吉祥菩薩（Padma-sri Bodhisattva），蓮華孫陀利菩薩（Padma-sundari Bodhisattva，四臂，右第一手持罥索，左手持鉞斧，右第二手施予願望，左第二手持果，坐于蓮花上，光明與前相同）。青頸觀音菩薩（Nilakantha Avalokitesvara Bodhisattva），蓮華髻菩薩（Padma-mukuta Bodhisattva），蓮華藥叉菩薩（Padma-yaksa Bodhisattva），十一面觀音菩薩（Ekadasamukha Avalokitesvara Bodhisattva）。西南角：舞供養菩薩（Nritya-puja Bodhisattva，形貌服飾皆為金色），次為嚩哩迦龍王（Varika Nagaraja），嚩哩迦七頭（Varika，七個頭），阿難陀龍王（Ananda Nagaraja，以上二龍王，曾見佛，七頭合掌跪地，即上文的嚩哩迦和阿難陀，唯持花鬘有所不同）。無染河天者（即尼蓮河神，Nairanjana River deity，也曾見佛，身相如目止鄰龍王，更無其他差別），地天供養（Prithvi，身白色，以二手捧寶花籠子，雙膝跪地），無能勝姤菩薩（Ajita Bodhisattva），無能勝妃（Ajita's consort），無熱惱龍王（Anavatapta Nagaraja，持蓮花鬘，彎腰合掌），目真鱗龍王（Mucilinda Nagaraja，與前二龍王一樣，青色黑色，如女形，七頭合掌，作禮的姿勢）。

【English Translation】 English version Zi Bodhisattva: Similar to the previously described Bodhisattvas (in the 'about to be tonsured' appearance). Northeast corner: Ratna-paramita Bodhisattva (寶波羅蜜菩薩), followed by Prajna-paramita Bodhisattva (般若波羅蜜菩薩), Maitreya Bodhisattva (慈氏菩薩, holding a white whisk), Buddha-maitri Bodhisattva (佛慈菩薩), Buddha-locana Bodhisattva (佛眼菩薩, appearing as a celestial maiden, seated on a jeweled lotus, adorned in various ways, with a golden body, eyes gazing upon the assembly, wearing light clothing, right hand holding a treasure, left hand granting wishes, surrounded by a radiant halo, with a serene appearance). Buddha-laksana Bodhisattva (佛豪相菩薩, appearing as a celestial mother, with the same color as before, except the right hand holds a lotus flower, and the left hand grants wishes, the radiance is the same as before), Manjusri Bodhisattva (文殊菩薩, with a golden body), Cintamani Bodhisattva (如意寶菩薩).

The above are from the second court (names of the thirty-two saints).

Next, the third court is the same as the boundary of the second court.

Southeast corner: Gita-puja Bodhisattva (歌供養菩薩, appearance and clothing all golden), followed by Cintamanicakra Bodhisattva (如意輪菩薩), Prathamacitta-dharmacakra Bodhisattva (才發心轉法輪菩薩), Asta-arya-avalokitesvara Bodhisattva (八聖觀音菩薩), Padma-sri Bodhisattva (蓮華吉祥菩薩), Padma-sundari Bodhisattva (蓮華孫陀利菩薩, with four arms, the first right hand holding a noose, the left hand holding an axe, the second right hand granting wishes, the second left hand holding a fruit, seated on a lotus flower, the radiance is the same as before). Nilakantha Avalokitesvara Bodhisattva (青頸觀音菩薩), Padma-mukuta Bodhisattva (蓮華髻菩薩), Padma-yaksa Bodhisattva (蓮華藥叉菩薩), Ekadasamukha Avalokitesvara Bodhisattva (十一面觀音菩薩). Southwest corner: Nritya-puja Bodhisattva (舞供養菩薩, appearance and clothing all golden), followed by Varika Nagaraja (嚩哩迦龍王), Varika with seven heads (嚩哩迦七頭), Ananda Nagaraja (阿難陀龍王, these two dragon kings, having seen the Buddha, with seven heads, palms together kneeling on the ground, are the aforementioned Varika and Ananda, only differing in holding flower garlands). Nairanjana River deity (無染河天者, also having seen the Buddha, appearance like Mucilinda Nagaraja, with no other differences), Prithvi offering (地天供養, white body, holding a jeweled flower basket with both hands, kneeling on both knees), Ajita Bodhisattva (無能勝姤菩薩), Ajita's consort (無能勝妃), Anavatapta Nagaraja (無熱惱龍王, holding a lotus flower garland, bowing and joining palms), Mucilinda Nagaraja (目真鱗龍王, like the previous two dragon kings, blue and black, in female form, with seven heads, palms together, in a gesture of reverence).

。前後同)　龍女(相端嚴)　西北角獻喜菩薩(形服皆金色)　次烏芻瑟摩金剛　金剛藏菩薩　甘露軍吒利菩薩　金剛孫陀利菩薩(此是明妃。形如天女。種種瓔珞莊嚴其身青色。手執蓮花。坐寶山上)　金剛愛菩薩　金剛拳菩薩　施無畏菩薩　缽拏攝末里菩薩　金剛針菩薩　東北角鬘供養菩薩(形服皆金色)　談無竭菩薩　陀羅尼自在菩薩　摩么雞菩薩(坐蓮花臺。如女形。首戴寶冠。左手執五古杵。右手施愿。身相端嚴。圓光熾盛也)　大惠菩薩(身如作禮勢。合掌坐蓮臺。金色具端嚴)　寂靜菩薩(同前大惠相)　無垢惠菩薩(同前寂靜相)　虛空無垢菩薩(同前無垢惠)　海惠菩薩　善象猛菩薩

已上第三院(四十聖名號)。

金剛界外第四院辦事天等次第　外供養從東南角燈供養菩薩(二手捧燈臺。身形衣服並赤)　次火天姤　焰魔天王　當門　金剛鈴菩薩(形服並綠色。搖鈴居本門)　次焰魔王姤　羅剎天主　西南角涂香菩薩(衣服身形黃色)　次羅剎主姤　毗沙門天王　當門金剛鉤菩薩(形服青。執鉤在本位)　次毗沙門天姤　風天主　西北角　香供養菩薩(黑色二手執香爐)　風天姤　水天王　當門金剛索菩薩(形服並黃。執索當門位)水天姤　伊舍那天　東北角花供養菩薩(坐白蓮

【現代漢語翻譯】現代漢語譯本：龍女（相貌端莊美麗），西北角是獻喜菩薩（形象服飾都是金色），其次是烏芻瑟摩金剛，金剛藏菩薩，甘露軍吒利菩薩，金剛孫陀利菩薩（這是明妃，形象如天女，用各種瓔珞裝飾身體，青色，手執蓮花，坐在寶山上），金剛愛菩薩，金剛拳菩薩，施無畏菩薩，缽拏攝末里菩薩，金剛針菩薩，東北角是鬘供養菩薩（形象服飾都是金色），談無竭菩薩，陀羅尼自在菩薩，摩么雞菩薩（坐在蓮花臺上，如女形，頭戴寶冠，左手執五股杵，右手施愿，身相端莊美麗，圓光熾盛），大惠菩薩（身體如作禮的姿勢，合掌坐在蓮臺上，金色，具足端莊美麗），寂靜菩薩（同前大惠菩薩的形象），無垢惠菩薩（同前寂靜菩薩的形象），虛空無垢菩薩（同前無垢惠菩薩），海惠菩薩，善象猛菩薩。

以上是第三院（四十聖名號）。

金剛界外第四院辦事天等次第：外供養從東南角開始，燈供養菩薩（二手捧燈臺，身形衣服都是紅色），其次是火天姤，焰魔天王，當門是金剛鈴菩薩（形象服飾都是綠色，搖鈴在本門），其次是焰魔王姤，羅剎天主，西南角是涂香菩薩（衣服身形黃色），其次是羅剎主姤，毗沙門天王（Vaishravana），當門是金剛鉤菩薩（形象服飾青色，執鉤在本位），其次是毗沙門天姤，風天主，西北角是香供養菩薩（黑色，二手執香爐），風天姤，水天王，當門是金剛索菩薩（形象服飾都是黃色，執索當門位），水天姤，伊舍那天，東北角是花供養菩薩（坐在白蓮花上）。

【English Translation】 English version: Dragon Girl (Long Nü) (with a dignified and beautiful appearance), in the northwest corner is Offering Joy Bodhisattva (Xianxi Pusa) (whose image and attire are all golden), followed by Ucchusma Vajra, Vajragarbha Bodhisattva (Jingangzang Pusa), Amrita Kundali Bodhisattva (Ganlu Juntali Pusa), Vajra Sundari Bodhisattva (Jingang Sundali Pusa) (this is the Vidyārājñī, her image is like a celestial maiden, adorned with various ornaments, blue in color, holding a lotus flower in her hand, sitting on a jeweled mountain), Vajra Love Bodhisattva (Jingang Ai Pusa), Vajra Fist Bodhisattva (Jingang Quan Pusa), Fearless Giving Bodhisattva (Shi Wuwei Pusa), Patnasamali Bodhisattva (Bo Na She Moli Pusa), Vajra Needle Bodhisattva (Jingang Zhen Pusa), in the northeast corner is Garland Offering Bodhisattva (Man Gongyang Pusa) (whose image and attire are all golden), Tan Wuqie Bodhisattva, Dharani自在 Bodhisattva, Mamaki Bodhisattva (sitting on a lotus platform, in the form of a woman, wearing a jeweled crown, holding a five-pronged vajra in her left hand, and granting wishes with her right hand, her appearance is dignified and beautiful, with a radiant halo), Great Wisdom Bodhisattva (Da Hui Pusa) (her body is in a posture of making obeisance, with palms together sitting on a lotus platform, golden in color, possessing complete dignity and beauty), Tranquil Bodhisattva (Jingjing Pusa) (same image as the previous Great Wisdom Bodhisattva), Immaculate Wisdom Bodhisattva (Wugou Hui Pusa) (same image as the previous Tranquil Bodhisattva), Space Immaculate Bodhisattva (Xukong Wugou Pusa) (same as the previous Immaculate Wisdom Bodhisattva), Ocean Wisdom Bodhisattva (Hai Hui Pusa), Good Elephant Fierce Bodhisattva (Shanxiang Meng Pusa).

The above is the third court (names of the forty holy ones).

The order of the officiating deities in the fourth court outside the Vajradhatu: Outer offerings begin from the southeast corner, Lamp Offering Bodhisattva (Deng Gongyang Pusa) (holding a lamp stand with both hands, her body and clothes are all red), followed by Agni, Yama Deva, at the gate is Vajra Bell Bodhisattva (Jingang Ling Pusa) (whose image and attire are all green, ringing a bell at her gate), followed by Yama Raja, Rakshasa Lord, in the southwest corner is Incense Offering Bodhisattva (Tuxiang Pusa) (clothes and body are yellow), followed by Rakshasa Lord, Vaishravana, at the gate is Vajra Hook Bodhisattva (Jingang Gou Pusa) (whose image and attire are blue, holding a hook in her position), followed by Vaishravana, Wind Lord, in the northwest corner is Incense Offering Bodhisattva (Xiang Gongyang Pusa) (black, holding an incense burner with both hands), Wind, Water Deva, at the gate is Vajra Rope Bodhisattva (Jingang Suo Pusa) (whose image and attire are all yellow, holding a rope at her gate), Water, Ishana Deva, in the northeast corner is Flower Offering Bodhisattva (Hua Gongyang Pusa) (sitting on a white lotus).

花。衣服面色具白。二手持花。供養勢也)　伊舍那天姤　帝釋天王　當門金剛鎖菩薩(形服並赤。持鎖本位中)　帝釋姤　火天主

已上第四院(二十天名號)。

從此第五食道院四角畫五古杵契焰鬘威相成。

已上曼荼羅輪王大灌頂儀軌中上壇聖者。都計一百二十二尊號。

阿阇梨與弟子灌頂。應于大曼荼羅側。對聖眾面前。別涂作曼荼羅。以白粉參肘量。普于中畫蓮花。中臺上畫師子座。令灌頂弟子。[木*鄭]花了者坐上。令一解法。弟子持蓋及拂。誦吉慶聲贊徐徐不絕。取中瓶水。加持一百八遍。教弟子結佛頂印安於頂上(余如灌頂儀中廣說)然須吹䗍擊鼓。作諸音樂等。

我今依經說　　輪王畫像法　近人具眾流　　作法方可為　如經廣稱述　　白疊須頓方　五肘或三肘

畫聖者像。先從大海踴出須彌山王四寶所成(先北金。東白銀。南吠琉璃色青色。西頗胝迦寶色紅色)于山上坐白蓮華。身白金色。正受入最勝王三摩地。結跏趺坐。從一切身遍滿流出十二幅金輪熾盛光明。于上應畫山峰。其峰以種種寶成。聖者從頂流出種種光明。青黃赤白。旋轉自在。聖者右邊畫持誦人。手執香爐。觀如來面。下應畫蓮花池(余如經說也)畫二大明王。相如后說。尊儀賀野

【現代漢語翻譯】現代漢語譯本：花。衣服面色具白。二手持花。供養勢也)　伊舍那天姤（Ishana，方位神）　帝釋天王（Indra，眾神之王）　當門金剛鎖菩薩（持金剛鎖的菩薩，守護門戶）(形服並赤。持鎖本位中)　帝釋姤　火天主（Agni，火神）

已上第四院(二十天名號)。

從此第五食道院四角畫五古杵契焰鬘威相成。

已上曼荼羅輪王大灌頂儀軌中上壇聖者。都計一百二十二尊號。

阿阇梨與弟子灌頂。應于大曼荼羅側。對聖眾面前。別涂作曼荼羅。以白粉參肘量。普于中畫蓮花。中臺上畫師子座。令灌頂弟子。[木*鄭]花了者坐上。令一解法。弟子持蓋及拂。誦吉慶聲贊徐徐不絕。取中瓶水。加持一百八遍。教弟子結佛頂印安於頂上(余如灌頂儀中廣說)然須吹䗍擊鼓。作諸音樂等。

我今依經說　　輪王畫像法近人具眾流　　作法方可為如經廣稱述　　白疊須頓方五肘或三肘

畫聖者像。先從大海踴出須彌山王四寶所成(先北金。東白銀。南吠琉璃色青色。西頗胝迦寶色紅色)于山上坐白蓮華。身白金色。正受入最勝王三摩地。結跏趺坐。從一切身遍滿流出十二幅金輪熾盛光明。于上應畫山峰。其峰以種種寶成。聖者從頂流出種種光明。青黃赤白。旋轉自在。聖者右邊畫持誦人。手執香爐。觀如來面。下應畫蓮花池(余如經說也)畫二大明王。相如后說。尊儀賀野

【English Translation】 English version: Flower. The color of clothes and face are all white. Both hands hold flowers, in a gesture of offering.) Ishana (Ishana, Guardian of the Northeast)　Indra (Indra, King of the Gods)　Door-guarding Vajra-lock Bodhisattva (Bodhisattva holding a vajra lock, guarding the gate) (Form and clothing are all red, holding the lock in its original position)　Indra　Agni (Agni, God of Fire)

The above is the fourth courtyard (names of the twenty devas).

From here, in the four corners of the fifth food path courtyard, draw five ancient vajra pestles, symbolizing the fierce appearance of flames.

The above are the holy beings on the upper altar in the Mandala Wheel King Great Abhisheka Ritual. A total of one hundred and twenty-two honored names.

The Acharya (teacher) and disciples, during the Abhisheka (initiation), should, beside the great mandala and facing the holy assembly, separately paint a mandala. Use white powder mixed with elbow measurements. Universally draw a lotus flower in the center. On the central platform, draw a lion throne. Have the disciple receiving the Abhisheka sit on it. Have a disciple who understands the Dharma hold a canopy and whisk, chanting auspicious praises slowly and continuously. Take water from the central vase, bless it one hundred and eight times. Teach the disciple to form the Buddha-crown mudra and place it on the crown of their head (the rest is explained in detail in the Abhisheka ritual). Then, it is necessary to blow conches, beat drums, and make various kinds of music.

I will now, according to the scripture, describe the method of painting the Wheel King: Those nearby who possess all the streams (of knowledge), only then can the practice be performed. As described extensively in the scripture, white cotton cloth must be square. Five cubits or three cubits.

To paint the image of the holy being, first, from the great ocean, emerges Mount Sumeru, made of four treasures (first, gold in the north, silver in the east, lapis lazuli color in the south, and red crystal color in the west). On the mountain sits a white lotus flower. The body is white-golden. He is in the Samadhi of the Supreme King, seated in the lotus position. From his entire body, twelve golden wheels of blazing light emanate. Above, one should paint mountain peaks. The peaks are made of various treasures. From the crown of the holy being's head, various lights flow out, blue, yellow, red, and white, rotating freely. On the right side of the holy being, paint a person holding a censer, gazing at the face of the Tathagata. Below, one should paint a lotus pond (the rest is as described in the scripture). Paint two great Vidyarajas (Wisdom Kings), whose appearances will be described later. The honored appearance of Hayagriva (Horse-headed Vidyaraja).

仡哩(二合)嚩大明王。身如火色。忿怒形。鼻如猿猴。以蛇莊嚴瓔珞。臂釧膊釧頭系蓮華鬘。作瞻睹勢。

次無能勝忿怒王。身白色。四臂頻眉面嗔。虎皮為裙。蟒蛇為耳。珰得叉迦龍王以為腰。絳婆蘇枳龍王以為神。線角絡被耽肚。身形稍短。以毒蛇莊嚴髻冠。口咬下唇。遍身火焰熾盛圓光。右上手持金剛杵。右下手作期克勢。左上手持三古戟叉。左下手執鉞斧。正面作阿吒吒賀娑𥬒勢。從口火焰種種色相。右邊面作觀瞻勢。左邊面下看也。頭上面作觀大眾勢。于寶蓮華立也了。

已上二聖者于曼荼羅門外兩邊畫。

次觀本尊五支也。阿尾啰吽欠(亦云闕寶量不空毗盧居頂后。余從額配之)　阿字(金剛寶地大悲地界所執持故)　微字(功德乳海所資𨳝故)　啰字(三昧惠炬所溫育故)　吽字(除障智風所開發故)　欠字(無邊性空不障礙故)。

五支先布已次說瑜伽相。

阿字真金色　　普現金剛輪　加持于下體　　說名瑜伽座　微字素月光　　匪于霧聚中　加持于齊上　　是名大悲海　啰字初日暉　　形赤在三角　加持於心位　　稱為智火威　吽字劫火焰　　涂玄若風輪　加持白毫際　　名為自在力　欠字由大空　　含容一切色　加持于頂上　　故號無等

【現代漢語翻譯】現代漢語譯本仡哩嚩大明王（Kilikila Mahavidyaraja）：身體如火焰的顏色，呈現忿怒的形象，鼻子像猿猴。用蛇作為裝飾的瓔珞，臂釧和膊釧，頭上繫著蓮花鬘，作出瞻睹勢（一種手勢）。其次是無能勝忿怒王（Aparajita Krodharaja）：身體是白色，四隻手臂，緊鎖眉頭，面帶嗔怒。以虎皮為裙，蟒蛇為耳珰，得叉迦龍王（Takshaka-nagaraja）作為腰帶，婆蘇枳龍王（Vasuki-nagaraja）作為神線，角絡被耽肚。身形稍短，用毒蛇莊嚴髮髻和頭冠，口中咬著下唇，遍身火焰熾盛，有圓形的光環。右邊的上手拿著金剛杵（vajra），右邊的下手作出期克勢（一種手勢）。左邊的上手拿著三古戟叉（triku），左邊的下手拿著鉞斧。正面的臉作出阿吒吒賀娑𥬒勢（一種笑聲）。從口中噴出火焰，呈現種種顏色。右邊的臉作出觀瞻勢，左邊的臉向下看。頭上面的臉作出觀看大眾的姿勢。站立在寶蓮花上。以上兩位聖者畫在曼荼羅（mandala）門外的兩邊。其次觀想本尊的五支：阿（a）尾（vi）啰（ra）吽（hum）欠（kham）（也可以說闕寶量不空毗盧遮那佛（Amoghavajra-vairocana）在頂后，其餘的從額頭開始配置）。阿字（因為是金剛寶地大悲地界所執持），微字（因為是功德乳海所資養），啰字（因為是三昧惠炬所溫育），吽字（因為是除障智風所開發），欠字（因為是無邊性空不障礙）。五支先佈置好，其次說瑜伽（yoga）的形象。阿字是真金色，普遍顯現金剛輪，加持于**，說名為瑜伽座。微字是素月光，並非在霧聚中，加持于齊上，是名大悲海。啰字是初日暉，形狀是紅色，在三角形中，加持於心位，稱為智火威。吽字是劫火焰，塗成玄色，像風輪，加持在白毫之間，名為自在力。欠字猶如大空，含容一切色，加持于頂上，所以號稱無等。

【English Translation】 English version Kilikila Mahavidyaraja: The body is the color of fire, with an angry appearance, and a nose like a monkey. Adorned with a snake as a necklace, armlets, and bracelets, and a lotus garland on the head, making the 'viewing' gesture (a type of hand gesture). Next is Aparajita Krodharaja: The body is white, with four arms, furrowed brows, and an angry face. A tiger skin serves as a skirt, and pythons as earrings. Takshaka-nagaraja serves as a belt, and Vasuki-nagaraja as the sacred thread, with a corner of the robe covering the belly. The body is slightly short, and the hair and crown are adorned with poisonous snakes. The mouth bites the lower lip, and the whole body is ablaze with flames, surrounded by a circular halo. The upper right hand holds a vajra (thunderbolt), and the lower right hand makes the tarjani mudra (a threatening gesture). The upper left hand holds a triku (three-pronged spear), and the lower left hand holds a battle-axe. The face in the center makes the 'Atatahasana' gesture (a type of laughter). Flames of various colors emanate from the mouth. The face on the right makes a 'viewing' gesture, and the face on the left looks downwards. The face on the top of the head makes a gesture of watching the assembly. Standing on a precious lotus flower. The above two holy figures are painted on either side of the mandala gate. Next, contemplate the five limbs of the principal deity: A vi ra hum kham (It can also be said that Amoghavajra-vairocana is at the back of the head, and the rest are arranged starting from the forehead). The syllable 'A' (because it is held by the Vajra-ground, the Great Compassion ground), the syllable 'Vi' (because it is nourished by the ocean of merit), the syllable 'Ra' (because it is warmed by the Samadhi-wisdom torch), the syllable 'Hum' (because it is developed by the wind of wisdom that removes obstacles), the syllable 'Kham' (because it is boundless and empty, without obstruction). After arranging the five limbs, then describe the appearance of yoga. The syllable 'A' is true gold, universally manifesting the Vajra wheel, blessing the **, it is called the Yoga seat. The syllable 'Vi' is the light of the pure moon, not in a gathering of mist, blessing above the navel, it is called the Great Compassion Sea. The syllable 'Ra' is the radiance of the rising sun, shaped like a red triangle, blessing the heart, it is called the power of Wisdom Fire. The syllable 'Hum' is the flame of the kalpa, painted dark, like a wind wheel, blessing between the white hairs, it is called the power of Freedom. The syllable 'Kham' is like the great void, containing all colors, blessing the top of the head, therefore it is called Unequaled.

人

次五支從地水火風空配成及壇。

阿字想座下。金剛座已成。色相如黃金。即戒義也。其壇相方。曼荼啰亦耳。微字想于臍。色白慈悲水。即定義也。其壇相圓外壇如滿月。啰字想於心。其相色赤紅。為惠義也。其壇三角形。外壇亦三角。吽字想眉間。色黑為無礙風。即解脫義也。其壇想青形如半月。外壇相亦同。欠字安頂上。以成大空點。即解脫知見義也。

其壇如字義。空點無色相。能成諸事業。即是陀羅尼義也。

唵(引)速乞灑(二合)摩嚩日啰(二合此云細細如金剛。此陀羅尼能令所觀成就)

唵(引)底(丁以反)瑟姹(二合)嚩日啰(二合此云不動如金剛。此陀羅尼能令所觀無失)

唵(引)薩頗(二合)啰拏嚩日啰(二合此云周遍如金剛。此陀羅尼能令所觀漸廣量周法界)

唵(引)僧賀啰(二合)嚩日啰(二合此云了達如金剛。此陀羅尼能令所觀漸略。猶如毫端。住白毫際。或住鼻端。隨心所樂)

次說畫。蘇婆呼童子。身形眷屬尊身如童子形。金色如名號。悚慄畫尊儀。七曜圍繞。密莫云漠。𠼬嗢沒斯。那纈雞[桅-厄+(口/ㄆ)]。各如本形畫。住賀野仡哩嚩明側立花上。次畫頂行童子。身形眷屬。尊身金色。髻發下垂。左手持金剛

【現代漢語翻譯】現代漢語譯本其次，將五支（五種元素）從地、水、火、風、空配合而成，並安置於壇城之中。

觀想『阿』字于座下。金剛座由此成就，其色相如黃金，代表戒律之義。此壇城形狀為方形，即曼荼羅（Mandala）之意。觀想『微』字于臍部，其色為白色，代表慈悲之水，即禪定之義。此壇城形狀為圓形，外壇如滿月。觀想『啰』字於心間，其色相為赤紅色，代表智慧之義。此壇城形狀為三角形，外壇亦為三角形。觀想『吽』字于眉間，其色為黑色，代表無礙之風，即解脫之義。此壇城觀想為青色，形狀如半月，外壇形狀亦相同。將『欠』字安於頂上，以成就大空點，即解脫知見之義。

此壇城如字義所示，空點無色相，能成就一切事業，即是陀羅尼（Dharani）之義。

唵（Om）！速乞灑（Sukshma）摩嚩日啰（Vajra）（意為細微如金剛。此陀羅尼能令所觀想之事物成就）。

唵（Om）！底瑟姹（Tishtha）嚩日啰（Vajra）（意為不動如金剛。此陀羅尼能令所觀想之事物不失）。

唵（Om）！薩頗（Sphara）啰拏嚩日啰（Vajra）（意為周遍如金剛。此陀羅尼能令所觀想之事物逐漸擴充套件，其量周遍法界）。

唵（Om）！僧賀啰（Samhara）嚩日啰（Vajra）（意爲了達如金剛。此陀羅尼能令所觀想之事物逐漸收縮，猶如毫端，住于白毫之間，或住于鼻端，隨心所樂）。

其次講述繪畫。蘇婆呼（Subahu）童子，其身形眷屬尊身如童子之形，金色如其名號。恭敬地描繪其尊儀，七曜（七個星體）圍繞。密莫云漠（Mimoyunmo），𠼬嗢沒斯（Hongwumo），那纈雞[桅-厄+(口/ㄆ)]（Naqiejigai），各自按照其本來的形狀描繪。安住于賀野仡哩嚩（Hayagriva）明王的側面，立於花上。其次描繪頂行童子，其身形眷屬，尊身金色，髮髻下垂，左手持金剛杵（Vajra）。

【English Translation】 English version Next, the five elements (five branches) of earth, water, fire, wind, and space are combined and arranged within the mandala.

Visualize the syllable 'Ah' below the seat. The Vajra seat is thus accomplished, its color resembling gold, representing the meaning of precepts. This mandala is square in shape, which is the meaning of Mandala. Visualize the syllable 'Vi' at the navel, its color white, representing the water of compassion, which is the meaning of Samadhi (meditation). This mandala is circular in shape, with the outer circle like a full moon. Visualize the syllable 'Ra' in the heart, its color red, representing the meaning of wisdom. This mandala is triangular in shape, and the outer circle is also triangular. Visualize the syllable 'Hum' between the eyebrows, its color black, representing the unobstructed wind, which is the meaning of liberation. This mandala is visualized as blue, shaped like a crescent moon, and the outer circle is the same shape. Place the syllable 'Kham' on the crown of the head to accomplish the great void point, which is the meaning of the knowledge and vision of liberation.

This mandala, as the meaning of the syllables indicates, the void point has no color and can accomplish all endeavors, which is the meaning of Dharani.

Om! Sukshma Vajra (meaning subtle like a diamond. This Dharani can cause the visualized object to be accomplished).

Om! Tishtha Vajra (meaning immovable like a diamond. This Dharani can prevent the visualized object from being lost).

Om! Sphara Vajra (meaning pervasive like a diamond. This Dharani can cause the visualized object to gradually expand, its measure pervading the Dharma realm).

Om! Samhara Vajra (meaning comprehending like a diamond. This Dharani can cause the visualized object to gradually contract, like the tip of a hair, residing between the white hair, or residing on the tip of the nose, as desired).

Next, describe the painting. Subahu Kumara (Subahu Child), his form and retinue, the honored body is like the form of a child, the color of gold like his name. Respectfully depict his honored appearance, surrounded by the seven luminaries (seven celestial bodies). Mimoyunmo, Hongwumo, Naqiejigai, each depicted according to their original forms. Residing on the side of Hayagriva Vidyaraja (Hayagriva the Knowledge King), standing on a flower. Next, depict the crown-walking child, his form and retinue, the honored body golden, the hair hanging down, the left hand holding a Vajra (thunderbolt).

杵。右手叉腰。八頻那夜迦圍繞所為。金剛莊嚴。金剛塵。金剛索。金剛鉞斧。金剛極笑。金剛成莊嚴。金剛頂。金剛頻那夜釰。器仗如文配。

已上並是頂輪壇法具足寫了。

(書本云)天喜元年五月一日書了

一交了　僧賴昭

以天臺實嚴僧正持本交合之

東寺沙門道快

(硃筆)此軌者辯弘和尚集歟。辨辯兩字通用之間。青龍和尚門人制作。尤以可為規模者也。

【現代漢語翻譯】現代漢語譯本：（手持）杵（vajra，金剛杵）。右手叉腰。（有）八頻那夜迦（Vighnahara，障礙神）圍繞，所持（器物）為：金剛莊嚴（Vajra ornament），金剛塵（Vajra dust），金剛索（Vajra rope），金剛鉞斧（Vajra axe），金剛極笑（Vajra extreme laughter），金剛成莊嚴（Vajra accomplished ornament），金剛頂（Vajra top），金剛頻那夜釰（Vajra Vighnahara sword）。器物兵仗按照（前文）描述配備。

以上這些都是頂輪壇（crown chakra mandala）的法，已經完整抄寫。

（書本上說）天喜元年五月一日抄寫完畢

已經交付一次僧人賴昭

由天臺實嚴僧正（Tendai Jitsugon Sojo）持有原本進行校對

東寺沙門道快

（硃筆批註）這儀軌是辯弘和尚（Benko Oshō）所集嗎？『辨』和『辯』兩字通用。是青龍和尚（Seiryū Oshō）的門人制作，尤其可以作為典範。

【English Translation】 English version: (Holding a) vajra (vajra, diamond scepter). Right hand on hip. Eight Vighnahara (Vighnahara, remover of obstacles) surround, holding: Vajra ornament, Vajra dust, Vajra rope, Vajra axe, Vajra extreme laughter, Vajra accomplished ornament, Vajra top, Vajra Vighnahara sword. The implements and weapons are equipped as described in the text.

The above are all the practices of the crown chakra mandala, completely copied.

(The book says) Copied on May 1st, the first year of Tenki (Tenki era).

Delivered once to the monk Raishō.

Checked against the original held by Tendai Jitsugon Sojo (Tendai Jitsugon Sojo).

Tō-ji (Tō-ji temple) monk Dōkai.

(Written in red ink) Is this ritual compiled by Benkō Oshō (Benkō Oshō)? The characters '辨' (ben) and '辯' (ben) are used interchangeably. It was created by a disciple of Seiryū Oshō (Seiryū Oshō), and can especially be used as a model.